{"id":56,"date":"2020-08-08T19:58:32","date_gmt":"2020-08-08T18:58:32","guid":{"rendered":"http:\/\/www.kirstenirving.com\/blog\/?p=56"},"modified":"2022-08-03T22:27:17","modified_gmt":"2022-08-03T21:27:17","slug":"review-in-poetry-wales","status":"publish","type":"post","link":"https:\/\/www.kirstenirving.com\/blog\/2020\/08\/08\/review-in-poetry-wales\/","title":{"rendered":"Death Magazine &#038; Hey Bert reviews in Poetry Wales"},"content":{"rendered":"<p>I reviewed two poetry collections for the Summer 2020 issue of the excellent <em><a rel=\"noreferrer noopener\" href=\"https:\/\/poetrywales.co.uk\/product\/poetry-wales-56-1-summer-2020\/\" target=\"_blank\">Poetry Wales<\/a><\/em>: Matthew Haigh&#8217;s <em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.saltpublishing.com\/products\/death-magazine-9781784632069\" target=\"_blank\">Death Magazine<\/a><\/em> (Salt Publishing, 2019) and Roberto Pastore&#8217;s <em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.parthianbooks.com\/products\/hey-bert\" target=\"_blank\">Hey Bert<\/a><\/em> (Parthian, 2019).<\/p><figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.kirstenirving.com\/blog\/wp-content\/uploads\/2021\/08\/Poetry-Wales-56.1-Volume-56-Number-1-Summer-2020-e1596972939883.jpg\" alt=\"Poetry Wales Summer 2020 cover\" class=\"wp-image-946\" width=\"397\" height=\"397\" srcset=\"https:\/\/www.kirstenirving.com\/blog\/wp-content\/uploads\/2021\/08\/Poetry-Wales-56.1-Volume-56-Number-1-Summer-2020-e1596972939883.jpg 300w, https:\/\/www.kirstenirving.com\/blog\/wp-content\/uploads\/2021\/08\/Poetry-Wales-56.1-Volume-56-Number-1-Summer-2020-e1596972939883-150x150.jpg 150w\" sizes=\"auto, (max-width: 397px) 100vw, 397px\" \/><\/figure><p>Here&#8217;s a couple of teasers:<\/p><p><strong>On <em>Death Magazine<\/em>:<\/strong><\/p><p>&#8220;[a] deep-dive into the relationships men have with men, whether those be based on dominance, friendship, submission, lust, love, curiosity, envy, loathing or play.&#8221;<\/p><figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.kirstenirving.com\/blog\/wp-content\/uploads\/2021\/08\/deathmagazine.jpg\" alt=\"\" class=\"wp-image-924\" width=\"348\" height=\"534\" srcset=\"https:\/\/www.kirstenirving.com\/blog\/wp-content\/uploads\/2021\/08\/deathmagazine.jpg 391w, https:\/\/www.kirstenirving.com\/blog\/wp-content\/uploads\/2021\/08\/deathmagazine-196x300.jpg 196w\" sizes=\"auto, (max-width: 348px) 100vw, 348px\" \/><\/figure><p>On <strong><em>Hey Bert<\/em><\/strong>:<\/p><p>&#8220;Pastore works as a crossing guard (lollipop man), and indeed the poems in <em>Hey Bert<\/em> wash over the reader like the different crossers and the sounds of passing cars, in a compound of danger, safety, companionship and exile.&#8221;<\/p><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"338\" height=\"480\" src=\"http:\/\/www.kirstenirving.com\/blog\/wp-content\/uploads\/2021\/08\/heybert.jpg\" alt=\"I reviewed two poetry collections for Poetry Wales: Matthew Haigh's Death Magazine and Roberto Pastore's Hey Bert. Read on for teasers!\" class=\"wp-image-929\" srcset=\"https:\/\/www.kirstenirving.com\/blog\/wp-content\/uploads\/2021\/08\/heybert.jpg 338w, https:\/\/www.kirstenirving.com\/blog\/wp-content\/uploads\/2021\/08\/heybert-211x300.jpg 211w\" sizes=\"auto, (max-width: 338px) 100vw, 338px\" \/><\/figure><p>Read the full review and more by subscribing to <em>Poetry Wales<\/em> <a rel=\"noreferrer noopener\" href=\"https:\/\/poetrywales.co.uk\/product\/poetry-wales-56-1-summer-2020\/\" target=\"_blank\">here<\/a>. <\/p><p>Also in this issue: <\/p><p>Samantha Wynne-Rhydderch, Gareth Prior, Jeni Williams, Jon Gower, Moniza Alvi, Cris Paul, Nerys Williams, David Clarke, David Morley, Anna Woodford, Huw Jones, Ll\u0177r Lewis, Joanna Ingham, Michael McKimm, Helen Tookey, Jannat Ahmed, Mari Ellis Dunning, Michael Arnold Williams, Tishani Doshi, Philip Gross, David Briggs, Carrie Etter, Nicholas McGaughey, Gareth Writer-Davies, Bryony Littlefair, Sampurna Chattarji, Luke Samuel Yates, Jon Stone, Kathy Miles, Benjamin Palmer, Ifor Thomas, Rob Miles, Paul Henry, Dai George, John Greening, P.C. Evans.<\/p><p>Folks to follow:<br><a rel=\"noreferrer noopener\" href=\"https:\/\/twitter.com\/poetrywales\" target=\"_blank\">Poetry Wales<\/a><br><a rel=\"noreferrer noopener\" href=\"https:\/\/twitter.com\/MattHaighPoetry\" target=\"_blank\">Matthew Haigh<\/a><br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.instagram.com\/bertpastore\/\" target=\"_blank\">Roberto Pastore<\/a><br><a rel=\"noreferrer noopener\" href=\"https:\/\/twitter.com\/saltpublishing\" target=\"_blank\">Salt Publishing<\/a><br><a rel=\"noreferrer noopener\" href=\"https:\/\/twitter.com\/parthianbooks\" target=\"_blank\">Parthian Books<\/a><\/p><p><\/p>","protected":false},"excerpt":{"rendered":"<p>I reviewed two poetry collections for Poetry Wales: Matthew Haigh&#8217;s Death Magazine and Roberto Pastore&#8217;s Hey Bert. Read on for teasers!<\/p>\n","protected":false},"author":1,"featured_media":944,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[90,83],"tags":[84,86,87,85],"class_list":["post-56","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critical-writing","category-reviews","tag-matthew-haigh","tag-poetry-review","tag-poetry-wales","tag-roberto-pastore","odd"],"_links":{"self":[{"href":"https:\/\/www.kirstenirving.com\/blog\/wp-json\/wp\/v2\/posts\/56","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kirstenirving.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kirstenirving.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kirstenirving.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kirstenirving.com\/blog\/wp-json\/wp\/v2\/comments?post=56"}],"version-history":[{"count":10,"href":"https:\/\/www.kirstenirving.com\/blog\/wp-json\/wp\/v2\/posts\/56\/revisions"}],"predecessor-version":[{"id":1143,"href":"https:\/\/www.kirstenirving.com\/blog\/wp-json\/wp\/v2\/posts\/56\/revisions\/1143"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kirstenirving.com\/blog\/wp-json\/wp\/v2\/media\/944"}],"wp:attachment":[{"href":"https:\/\/www.kirstenirving.com\/blog\/wp-json\/wp\/v2\/media?parent=56"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kirstenirving.com\/blog\/wp-json\/wp\/v2\/categories?post=56"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kirstenirving.com\/blog\/wp-json\/wp\/v2\/tags?post=56"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}